Tendernes. 2021
The Installation becomes a revelation, enabling the overcoming of previous boundaries in perceiving corporeality. Fabric printed with a human skin motif, from which a dress was sewn has been created by Katya Tsareva. This dress became the central element of the work, embodying the idea of clothing as a “second skin”. It explores the connection between self-representation, how we present ourselves to others, and the clothing we wear constantly. Through this installation, the artist invites the viewer to reflect on how clothing shapes and expresses identity.
In The Corner. 2021
My Temporary Room. 2020
The large-scale installation in the main gallery hall represent the modern processing of the architecture and design of late modernism transformed from a dominant doctrine into the language of art everyday life.
My Pink Room. 2018
Pink makes anything it gets onto feminine. Shifting from a light installation to pictures, it changes its notional valency – girlhood turns out to be an imputed quality, something that is external in relation to the individual.
Untitled. 2016
The artist engages with the gallery space and creates an installation that lets a viewer both inside and outside of a 'white house', allowing for an experiment with self-positioning inside a constructed environment.
